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viernes, 21 de agosto de 2026

MY ENCOUNTER WITH THE BEATLES

 The first time I heard about The Beatles was when living in Lieres, Asturies. I was thirteen years old and I remembered reading in the paper about those four guys from Liverpool, England, who made the girls hysterical and crazy in their concerts. I was aware of rock music since living in Madrid in the late fifties, because the American influence was becoming stronger and whenever we passed by the bar "Convair" in Avenida García Noblejas the jukebox was playing some Pop-Tops or Elvis Presley or Buddy Holiday's music. It was our way of experiencing what was modern, outlandish, out of the gray normalcy of that time.

The Beatles came up as a bold attempt to shake the boredom of the old ways with a twist and shout mood and that defying long hair that most of our elders defined as a "maricón style you never dare to wear". One of my classmates from The Solvay Academy told me, "Have you heard about those four English lads from Liverpool? They're great! I love their music" But for a while I forgot about them when moving to Xixón to start working and studying at night in the Technical school. That year 1965, it just happened that a cousin of mine who'd been in New York for a while came to visit us for a couple of weeks at Pumarín. He brought "A Hard Day's Night", the blue cover. He couldn't stop playing that record in our cheap record player, in such a way that all those soft songs modulated by the Beatles' hoarse voices stuck in my mind forever.

Around the year 67 I've just happened to roam about the city's flea market and suddenly I saw a bunch of 45 rpm second price records of The Beatles. Having a little spare money to spend I bought three records that used to belong to someone who signed his records as Josmay.

When I arrived home I started playing Beatles’ songs all the afternoon and that was great. I felt as if a current of fresh air was cleaning up the drudgery and routines of a sixteen years old working class boy making little money and ready to explore the freedom of a wider world beyond the prejudices and traditions of my narrow provincial landscape.


After that I was able to travel to Paris by myself by bus eager to check on the hippie life and the counter-culture that was going in those years. That's when I bought Sargent Peppers’ Lonely Hearts Club Band in the Quartier Latin and once in Xixón it was played as a ritual regardless how I felt, either when feeling down or moody, or when feeling happy and elated. The Beatles become a symbol of a new era, a new world of hopes and possibilities in which we could make our dreams come true.

In 1980 when John Lennon was shot I was ready to fly to Madrid the next day from Austin, Texas. I remember people of all ages heading to Zilker Park on the banks of the Colorado River to pay due respect to one of our symbols through music and a different way of painting life: "Picture yourself on a boat on a river with tangerine trees and marmalade skies". Hundreds of people held hands around bonfires singing many of The Beatles's songs. Next day I flew to Madrid and then to Xixón just for a short visit.

YO REAL

¿Qué tendría que ser la realidad para que yo pueda ser realmente alguien y no simplemente algo que sucede.

 

El proyecto era hacer una figura exacta de mi ser. Convoqué a matemáticos de Gfhur, expertos en proporcionalidades y cálculo infinitesimal. Llamé a magos de la alquimia que vivían en secreto en unas cuevas profundas. Vinieron científicos privilegiados de todo el orbe. Hasta las brujas de Dfrnup quisieron poner de su parte.

Cuando todos se pusieron a componer mi ser, el trabajo se hacía en riguroso silencio. Se buscaron los materiales más adecuados tanto por su dureza como por su plasticidad. Se trajinaba con elementos químicos rayanos en lo sobrenatural. Hubo fuegos, calderas, probetas, hornos, crisoles, alambiques, matraces y retortas.

Había también sesudos ingenieros de inteligencias artificiales que se sospechaba eran puras encarnaciones de estas....

Incluso se unió un ente fosforescente que se llamaba Hijo de Dios...


Cuando acabaron su obra, aquella construcción era incomprensible, increíblemente deformada, insostenible en sí misma y con tendencia a partirse en millones de pedazos reflectantes. Me decían que ESO era mi yo REAL, pero eso ya se estaba transformando en una masa gelatinosa imposible de contener en ningún sitio...

Entonces eché a correr hacia el lago de fuego cercano...Las brujas me decían que no desesperase, ya que faltaban sus retoques..

Corría como enloquecido, pues nadie en su justo juicio se hubiese atrevido a materializar su ser real.